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His companions want to "cut me up / Because I'm such a fag," a far cry from Cowley's affectionate and well-intentioned partners. Sexual exploits of a kind found in Mechanical Fantasy Box are marred in Garrett's accounts by references to being used in a cold and brutal fashion. A prolific gay porn-star and one-time poet, Garrett was the star of numerous 1970s pornographic films including Men Come First and Handsome, and has been memorialised by an ex-lover on Facebook as having "one of the most perfect complexions ever seen on a human being." Unlike Cowley, who found his sexuality unopposed in San Francisco, it was only Garrett's boundless self-confidence that allowed him to overcome the limitations conferred by mainstream New York society. A recording of 48 salacious poems supported by an electronic composition by Man Parrish, Hot Rod To Hell is Roy Garrett's first and only foray into the arts beyond the screen. Through this display of the readers' most unvarnished state, the release of Mechanical Fantasy Box reveals the honesty lying at the foundation of the gay liberation period.ĭark Entries' reissue of Roy Garrett's Hot Rod To Hell similarly honours the achievements of the gay liberation period. Aptly named, this troop of boys read the hearty details of Cowley's journal on stage to a large audience, completely, unequivocally naked. Cowley's sexual adventures were read on stage in late November 2019 by a literary group in London called Naked Boys Reading. The immense freedom characteristic of the gay liberation period is exhibited in the work's release format. Cowley's insatiable lust is the torch that allows us to navigate this web of gay infrastructure and celebrate the period for inculcating authentic and uninhibited sexuality. Nine gay newspapers were set up, two gay charitable foundations, and three gay Democratic clubs, one of which grew to be the largest Democratic club in California. With leaders like Harvey Milk, the famed gay District supervisor, the Castro community established some ninety gay bars in the city and a further hundred and fifty gay organisations, a catch-all for church groups, social service groups, and business associations. By recording the spectacular details of his indulgence, Cowley gives us a sense of the vibrancy of the gay liberation period.Ĭowley's pursuits seem effortless, self-manifested, however what his actions conceal is the might of self-organisation that had taken place in the relatively isolated Castro District of San Francisco to give rise to his sexual freedom. The diary's writer and intended sole confidant, Cowley, is known as the pioneer of Hi-NRG, disco's electrified successor, for his extended remix of Donna Summer's ‘I Feel Love,' and for his collaborations with Sylvester, the gender-bending, falsetto-singing disco mainstay. Spanning the liberation period from Stonewall in 1969 to the dawn of AIDS in 1981, record label Dark Entries' publication of Cowley's private journal, Mechanical Fantasy Box, captures without concession one man's proud and unabated expression of sexual freedom. We're left celebrating gay liberation as a period that empowered homosexual men to self-govern without restraint. This might just be a bit of tongue-in-cheek humour, but by adopting religious language in descriptions of conventionally irreligious exploits, Cowley shatters our expectations of gay freedoms in the 1970s. Having just indulged in the pleasures of a "golden idol," Cowley offers sacraments to show his appreciation, and if religious offerings were not enough, he sends thanks directly to the Father. With his panting breath and dripping sweat infused in each page of his memoir, Patrick Cowley describes himself on his knees, bending over and "worshipping Phallus." He touches the ground beneath a much-used glory hole and with complete sincerity calls for it to be consecrated territory.